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Dr. Jekyll and Mr. Mouse

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Dr. Jekyll and Mr. Mouse is a 1947 American one-reel MGM animated cartoon and is the 30th Tom and Jerry short. The cartoon was released on 14 June 1947, and was directed by William Hanna and Joseph Barbera produced by Fred Quimby and animated by Ed Barge, Michael Lah, Kenneth Muse and Al Grandmain. The episode is a parody of Dr. Jekyll and Mr. Hyde.

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Hanna Barbera also created Scooby-Doo, Where Are You! and subsequent series; The Funky Phantom; Goober and the Ghost Chasers; Valley of the DinosaursThe Addams Family cartoons; Godzilla animated seriesDrak Pack and Gravedale High.

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Plot teaser:

Tiring of Jerry stealing the milk out of his bowl, Tom poisons it. Instead of killing the mouse, the potion transforms him into a muscular beast…

 

Wikipedia | IMDb

 



Kiss Me Quick! aka Dr. Breedlove

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Kiss Me Quick! is a 1964 American sci-fi horror nudie cutie movie directed by Peter Perry (as Seymour Tuchus) and produced by Harry Novak. The film was originally titled Dr Breedlove or Dr Breedlove or How I Stopped Worrying and Love to exploit the title of Stanley Kubrick’s Dr Strangelove. It was retitled to exploit Billy Wilder’s Kiss Me, Stupid. The highlight of the movie involves a dance number in which three of Breedlove’s captive women gyrate to garage rock.

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Hungarian-born cinematographer László Kovács worked on The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies the same year but eventually shot such notable productions as Easy Rider and New York, New York. His genre work includes Ghostbusters.

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Plot teaser:

Sterilox, an alien from the “Buttless” galaxy being sent to Earth in order to find the perfect woman who will be used to create a race of servants. Sterilox (who sounds like Stan Laurel) is teleported into the lab of a mad scientist by the name of Dr. Breedlove, who offers Sterilox a number of beautiful women to choose from. He’s also introduced to Frankie Stein, Dracula and a strange Mummy…

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Reviews:

‘ … as a monument to the moment when filmmakers found the chutzpah to challenge the wildly unconstitutional claims that kept movies in the decency Dark Ages for several decades, Harry Novak’s horror hi-jinx were instrumental in paving the way for greater cinematic openness. In essence, he moved nudity out of the camp and into the realm of ordinary comedy. As entertaining as Kiss Me Quick remains, its industry significance cannot be understated. Indeed, it was monsters that helped make nakedness a non-issue for the grindhouse gang.’ Bill Gibron, Pop Matters

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‘ … there is no denying the high amount of entertainment value present. The surf punk garage band instrumental music, for one thing, is first rate … All of the women are luscious, in their bouffants and spit curls, breasts thankfully free of major surgical enhancement and liberated to move like they have a mind of their own. And while the overall acting is from the “borrow someone else’s shtick” school of mimicry (Dr. Breedlove sounds like a thick tongued Bela Lugosi), you can tell the cast is having a wonderful time. This is a non-politically correct monster mash celebration of women as full blown sexual objects, a jeer at the tameness of the times and a leering look and lampooning of lust.’ DVD Verdict

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Buy with House on Bare Mountain on DVD from Amazon.co.uk | Amazon.com

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Choice dialogue:

Skull: “Gee whizz? Bring back the broads.”

Dr. Breedlove: “I show you Lady Godiva and you ask me does the horse plays the piano. Who cares?”

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Cast:

Wikipedia | IMDb | Image thanks: Critical Condition | Related: Harry Novak | House on Bare Mountain


The Visit

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the-visit-teaser-one-sheetThe Visit is a 2015 US horror film written and directed by M. Night Shyamalan (The Sixth Sense; The Village; Signs). It was co-produced by Jason Blum (Paranormal Activity; SinisterInsidious and their sequels).

The film stars Kathryn Hahn, Ed Oxenbould, Erica Lynne Marszalek, Peter McRobbie, Olivia DeJonge, Deanna Dunagan, Benjamin Kanes, Jon Douglas Rainey, Brian Gildea, Shawn Gonzalez, Richard Barlow, Steve Annan, and Michael Mariano.

The Visit is slated for release on September 11th, 2015.

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Plot teaser:

A brother and sister are sent to their grandparents’ remote Pennsylvania farm for a week-long trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day…

Wikipedia | IMDb | New and Upcoming Blu-ray and DVD releases


Suck

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Suck is a 2009 Canadian rock-and-roll vampire black comedy film starring, written and directed by Rob Stefaniuk. Stefaniuk stars alongside Canadian actress Jessica Paré, Nicole de Boer, Malcolm McDowell and rock legends Alice Cooper (Prince of Darkness; Bigfoot; Dark Shadows), Iggy Pop (Hardware; The Sandman), Henry Rollins and Alex Lifeson of Rush. Production took place in and around Toronto in late 2008.

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Plot teaser:

A down and out rock’n’roll band, The Winners, who will do anything for a record deal. Their luck suddenly changes when Jennifer the bass player, disappears one night with a vampire and emerges with a sexually charged charisma that drives the audiences wild. As the band members succumb, one by one, to blood lust, their “gimmick” launches them into the limelight…

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Various shots in the movie are meant to evoke classic rock album covers. Some examples: A shot of the band crossing the street is an homage to The Beatles “Abbey Road.” Another shot of the band using a Union Jack flag as a blanket is based on The Who’s “The Kids Are Alright.” In the border station, the first shot is a nod to Bruce Springsteen’s “Born In The USA”.

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Buy Suck on Blu-ray from Amazon.co.uk | Amazon.com

Reviews:

“Stefaniuk keeps the energy level high and wisely blends in music liberally with the vampire action. Suck is a rock movie at its heart and Stefaniuk and crew embrace this fact; the bass player’s metal-infused transformation sequence is a stand-out. The story isn’t held back either, as the progression from “bizarre rock band underdog movie” to full-on “vampire hunting spoof” moves along nicely and features some satisfying beats. Staking a vamp with an electric guitar? Genius.” DVD Verdict

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Suck is a movie that doesn’t really have any surprises, take one look at the fangs on the poster and read the corny title and you’ll know pretty much what you are in store for. But that doesn’t mean Suck isn’t actually quite funny and weirdly appealing despite its low-budget origins.” Eye For Film

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Wikipedia | IMDb

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Slaughter High

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‘Where the student body is going to pieces.’

Slaughter High is a 1986 American/British independent slasher film written and directed by George Dugdale, Mark Ezra and Peter Litten. It closely follows the tropes of many other slasher films of the period and is mostly notable for the casting of Caroline Munro in the lead female role and the distinctive jester’s mask worn by the killer.

slaughterhigh2 In an American high school populated by the usual jocks, hot girls and outcasts, Marty Rantzen (Simon Scudamore, misspelled on the credits with an extra ‘d’ – sloppy!) is most firmly the latter, the atypical, bespectacled nerd, good at complicated sums, not so good on basic human interaction. Come April Fool’s Day, Marty can’t believe his luck as he is lured by school sex siren, Carol (Munro) into the girls’ locker room for a baptism of shower-based sex. Alas, this is not the case and whilst disrobed and expectant in the shower, the curtain is pulled to reveal the school jokers armed with video recording equipment and a fire extinguisher to put a dampener on Marty’s dreams and his dignity down the toilet (which is literally where he’s heading, face down, thanks to his tormentors dangling him in).

slaughterhigh17 He is ‘rescued’ by the arrival of the military instructor-like sports coach (played by Marc Smith, best known for his voice acting, of note his redubbing on Dario Argento’s Four Flies on Grey Velvet, and Deep Red) who does little to sympathise with Marty but does insist all the boys responsible report for detention that afternoon. Cleaned up, Marty is given a joint by arch bully Skip (Carmine Iannaccone) as an apology, though it is in fact laced with something less desirable. Sometime later, when Marty is diligently conducting solo chemistry experiments, he tries the joint and immediately rushes to the nearest public convenience to vomit. In his absence, Skip (even shirking detention, the rotter) enters the lab and rigs the experiment to blow up in Marty’s face. This does indeed have the desired effect but in the mayhem of the detonation, Marty knocks a jar of acid over himself, the net result being a half destroyed school and a hideously disfigured and broken nerd.

slaughterhigh13 Some years later (anywhere between five and ten), Marty has disappeared from public life, doomed to a lonely existence as a scarred, damaged and apparently insane man. Meanwhile, his school ‘friends’ are enjoying their reunion, which happens to be on April Fool’s Day. Deciding to revisit their now closed school, though the corridors are still roamed by the old janitor, whose portrayal sets the racial equality movement back several decades. As the kids get down to drinking, smoking, snorting high jinks, the janitor is lifted off the ground by a jester-masked figure (actually played by co-director Ezra) and impaled on a coat hook. So begins a one-by-one slaying of the gang in occasionally inventive ways (intestinal explosion by tampered-with beer is a highlight) in a school which for reasons which are unclear, houses both a bath and a bed. The jester figure is, of course, Marty, eager to exact his revenge, though he leaves his beloved Carol until the end…

slaughterhigh11 Slaughter High is a prime example of the problems which can arise from trans-Atlantic co-productions. Supposedly set in an American school, all the locations are obviousluy leafy Britain, the population of students and staff also British but tasked with adopting US accents, lest the idea of a film not set in America be an insult to the masses. The accents aren’t awful but are all underpinned by the hopelessly forced insistence that in no way is the wool being pulled over everyone’s eyes. Despite the fact that an actual school was used for the filming (remarkably, it did indeed have a bath in situ), the film feels very cramped and is largely shot in only a smattering of locations, again giving the impression that something is being kept from us.

slaughterhigh8 The April Fool’s Day setting does leave the audience with that ‘one last gag’ feeling always looming on the horizon, though this could have been even more lumbering, the title having to be changed from April Fool’s Day to Slaughter High due to a genuinely unfortunate timing issue with the better-known film of that title just pipping it to the release post. Some prints retain this original title and have the replacement hastily tagged on as an apparent afterthought – Vestron’s Japanese release not even bothering with the afterthought. There is a certain irony of the film revolving around a date that so fuels the plot, time and continuity being haphazard throughout, from the eye-narrowing anniversary reunion timing to the incredulity-testing age of the students – Caroline Munro clocking in at 36 years-old at the time of filming and many of her co-stars well into their 20’s at least.

slaughterhigh21 Dugdale and Ezra combined again on the curious if ultimately beige Living Doll (1990) with only the latter evidently staying in the industry, though with little in the way of breakout hits. Co-director Litten had slightly more lasting influence, his special effects creature work seen in Rawhead Rex and more significantly culturally as the co-creator of the non-more-80’s Max Headroom. Caroline Munro is sadly miscast, still radiant but a sore thumb as a school girl and barely more believable as an airhead actress who is just about savvy enough to avoid the casting couch of leering movie producer, Manny (played by actual film producer Dick Randall of Don’t Open Till Christmas and Pieces frame; never one to miss a trick, a poster for Pieces hangs behind him in his office). Munro appeared in the film off the back of The Last Horror Show, before 1987’s Faceless and Howl of the Devil signalled her all but withdrawal from the genre for some time.

slaughterhigh4 Scudamore is far more serviceable in his role, a believable nerd whose character is let down by innate dumbness, belying his academic genius. Given a large school as his lair, it is weakly and unrealistically dressed, leaving him to bookend the film as Ezra, rather meanly, does the jester-masked stomping around. Sadly, aged only 28, Scudamore took his own life shortly after filming through a drugs overdose.

slaughterhigh18 With a masked killer, illegal substances, lithe teens and variable morals, it is fitting that the score is composed and performed by Harry Manfredini, a huge nod to the film’s primary influence, Friday 13th. Manfredini is one of the luckiest of composers for horror films, his career largely pivoting on his work on the 1980 slasher classic, a score which, in truth, consists of piled-high stingers, pilfered exaggerated strings and the oft-repeated killer’s theme and little else of interest. Here he is rumbled somewhat, a clearly more meagre budget revealing his work to be perfunctory at best, at worst cringe-worthy tripe.

slaughterhigh5 Somehow, despite all this, Slaughter High is strangely rewarding viewing. Perhaps it’s the carefree, glitch-ridden production values; perhaps it’s the contact threat of Munro relieving herself of her flouncy, voluminous dress suit (she doesn’t, instead the main nudity is, surprisingly, male and full-frontal). It’s possibly the fact that it sticks to the slasher rulebook so rigidly, the viewer can put in the least effort imaginable to watch… although the ending will jolt even the most heavy-lidded audience out of its slumber with its ridiculousness.

Daz Lawrence, Horrorpedia

Choice dialogue:

Stella: Talk dirty, Frank! Talk dirty!

Frank: Um… tits.

Stella: DIRTY dirty!

Frank: Um… fuck. Ah, tits. Screw.

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Cheap Thrills

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‘What doesn’t kill you makes your richer’

Cheap Thrills is a 2013 American black comedy thriller horror film, directed by E. L. Katz in his directorial debut and starring Pat Healy (Starry Eyes), Sara Paxton (The Innkeepers), Ethan Embry and David Koechner. It premiered at South by Southwest (SXSW) on March 8, 2013, and was acquired by Drafthouse Films and Snoot Entertainment. Cheap Thrills was released on March 24, 2014, in the United States.

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Plot teaser:

Craig (Pat Healy,) is a struggling family man who loses his low-wage job and is threatened with eviction. In an effort to delay facing the music at home, he heads to a local bar and encounters an old friend (Ethan Embry). The two friends are roped into a round of drinks by a charismatic and obscenely wealthy stranger (David Koechner) along with his mysterious wife (Sara Paxton). The couple engage the two friends in a series of innocent dares in exchange for money over the course of the evening, with each challenge upping the ante in both reward and boundaries. It seems like easy and much needed money, but the couple’s twisted sense of humor pushes just how far Craig and his friend are willing to go for money and cheap thrills…

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Buy Cheap Thrills on Blu-ray from Amazon.co.uk | Amazon.com

Reviews:

“It’s about as subtle as a massive brick to the head, but that doesn’t stop it being joyously entertaining in a thoroughly mean-spirited fashion. Cheap Thrills is like the younger, punk rock second-cousin to the likes of Haneke and von Trier and it leaves no holds barred, so be prepared…” Brutal as Hell 

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“E.L. Katz’s Cheap Thrills is a very effective piece of body horror, teasing in its attempts to keep the audience guessing, but the cruel irresistibility of its premise wears itself out before the film’s final minutes.” Slant Magazine

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“Cheap Thrills is everything you’d want out of a satirical thriller and more; it’s also a remarkable directorial debut by Katz, who delivers one hell of a story that was continuously surprising, shocking and visceral with wildly unexpected events that were often played out with a quiet restraint.” Dread Central

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Wikipedia | IMDb

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Zombies from Outer Space

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‘They Do NOT Come In Peace!’

Zombies from Outer Space is a 2012 German sci-fi comedy horror film directed by Martin Faltermeier and starring Judith Gorgass, Siegfried Foster and Florian Kiml.

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Plot teaser:

Rural Bavaria. The late 1950’s. Something very strange is taking place. When Maria (Judith Gorgrass) happens upon the dead body of a woman, little does she realize the terror that will unleashed. Noted scientist Dr. Robert Hoelzlein (Florian Kiml) and American Army Captain John Welles (Siegfried Foster), both brought in to investigate the crime, soon butt heads over the case and their mutual attraction to Maria. Romance takes a back seat when more bodies are discovered. Who or what has caused these mysterious deaths?

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The following bands appear on the soundtrack; Biermösl Blosn, The Meteors, Cherry Casino and the Gamblers, The Bricats, and Mars Attacks.

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Buy Zombies from Outer Space on DVD from Amazon.com

Reviews:

“The story works (quite) well and it delivers entertainment in good doses, even if I wished for more graphic gore and less talk. It’s already a bit too long, so I – if I was a producer – would have demanded some cuts, maybe to get it down to 85 minutes. Then it would have been perfect, cheesy entertainment. Now it’s a ambitious, good, crazy and very well-made oddity that deserves a bigger audience!” Fred Anderson

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“If you have a soft spot for the classic horror films of the 50’s and 60’s this could well work for you. Slightly more splatter would however have been welcome. All in all, not a knockout but  still a remarkable debut film “Made ​​in Germany”. Watch the Shit

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“Pure entertainment value is high, especially in light of the available funds and resources.” Scary Movies

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Official websiteIMDb

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Scooby Doo: The Early Years – article

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Scooby Doo, Where Are You! was the first incarnation of the long-running Hanna-Barbera Saturday morning cartoon series, Scooby-Doo. Created by Joe Ruby and Ken Spears, the cartoon premiered on CBS September 13, 1969, and ran for two seasons for a total of twenty-five episodes. The punctuation-sensitive will note the early incarnations utilise neither a question mark nor a hyphen in the title!

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Scooby Doo, Where Are You! was the result of CBS and Hanna-Barbera’s plans to create a non-violent Saturday morning program that would appease the parent watch groups that had protested the superhero-based programs of the mid-1960s. Originally titled Mysteries Five (after the band the featured teenagers were a member of), and later Who’s S-S-Scared?, Scooby Doo, Where Are You! underwent a number of changes from script to screen, the most notable of which was the downplaying of the musical group angle borrowed from The Archie Show. However, the basic concept — four teenagers (Fred, Daphne, Velma, and Shaggy) and a cowardly, clumsy Great Dane (Scooby-Doo) solving supernatural-related mysteries — was always in place.

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Scooby-Doo creators Joe Ruby and Ken Spears served as the story supervisors on the series. Ruby, Spears, and Bill Lutz wrote all of the scripts for the first-season episodes, while Lutz, Larz Bourne, and Tom Dagenais wrote the second season episodes with Ruby and Spears. Ruby and Spears had already had an animated TV hit with Space Ghost, a show which had a similar style of animation, as well as monsters, ‘mild peril’ and a theremin-heavy soundtrack – the programme’s musical director, Ted Nichols, composed the intended theme for Scooby Doo, Where Are You! though ultimately this was only used for the fleeting still title card sequence. Dagenais and Larz had also written off-kilter cartoons such as Wacky Races, whilst Lutz had written several episodes of the live-action hit series, The Addams Family.

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The plot varied little from episode to episode. The main concept was as follows:

1. The Mystery, Inc. gang is driving in the Mystery Machine, their psychedelically-painted van, returning from or going to a regular teenage function, when their van develops engine trouble or breaks down for any of a variety of reasons (overheating, flat tire, out of gas, etc.), in the immediate vicinity of a large, mostly vacated property (ski lodge, hotel, factory, mansion, cruise ship, etc.).

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2. The gang’s (unintended) destination turns out to be suffering from a monster problem (ghosts, Yeti, vampires, witches, etc.); they volunteer to investigate the case.

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3. The gang splits up to cover more ground, with Fred and Velma finding clues, Daphne finding danger, and Shaggy and Scooby finding food, fun, and the ghost/monster, who chases them. Scooby and Shaggy love to eat, including dog treats called Scooby Snacks which are a favourite of both the dog and the teenage boy. Casey Kasem, a staunch vegetarian and the voice of Shaggy, objected to the mass consumption of meat products in the show and insisted this stopped. This argument rumbled on in one form or another for the next 35 years!

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4. Eventually, enough clues are found to convince the gang that the ghost/monster is a fake, and a trap is set (usually by Fred) to capture it; or, they may occasionally call the local sheriff, only to get stopped by the villain half-way.

5. If a trap is used, it may or may not work (more often than not, Scooby-Doo and/or Shaggy falls into the trap and/or they accidentally catch the monster another way). Invariably, the ghost/monster is apprehended and unmasked. The person in the ghost or monster suit turns out to be an apparently blameless authority figure or otherwise innocuous local who is using the disguise to cover up something such as a crime or a scam.

6. After giving the parting shot of “And I would have gotten away with it too, if it weren’t for you meddling kids” (sometimes adding “…and your stupid dog!”), the offender is then taken away to jail, and the gang is allowed to continue on the way to their destination. The episodes actually had much in common with the emergent Italian giallo genre, or Edgar Wallace mysteries, the damsel (Daphne) often pursued by black-gloved miscreants who are revealed, via a series of red herrings, to be the most unlikely suspect.

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The memorably infectious theme tune was written by David Mook and Ben Raleigh, who also supplied the lyrics. Mook had previously written some of the dancier tunes used in The Banana Splits TV show, though oddly, little else after Scooby Doo – it was he who supplied the vocals for the early incarnations of the theme tune. Raleigh was more successful, his lyrics appearing in many successful pop songs, including Ricky Valance’s “Tell Laura, I Love Her”. Though Hanna-Barbera attempted to buy the rights from him, he opted to retain them whilst receiving a royalty, a very shrewd move. The theme was a last minute replacement for Ted Nichols instrumental piece and was recorded just three days before the first episode aired.

The second season featured “chase scene” songs produced by La La Productions (which had originally been contracted to create the music for Josie and the Pussycats, the first of many shows made from the same mould as Scooby-Doo). These songs were written by Danny Janssen and Austin Roberts, and were performed by Roberts, who also made a new recording of the Scooby Doo, Where Are You! theme song for the second season. He had a relatively successful career as a singer songwriter, in the easy listening vein. The tune was later covered by Matthew Sweet as part of the Saturday Morning: Cartoons’ Greatest Hits album.

Episodes contained a laugh track, one of the first Saturday morning cartoon shows to do so. It was removed for syndication in the 1980s. Unfortunately, not long after the Turner networks (TBS, TNT and Cartoon Network) began airing the show in 1994, the crass laugh track was reinstated in 1997.

By 1972, the format had evolved into hour-long episodes, known as The New Scooby Doo Movies, which also featured the introduction of special guests stars, such as Dick Van Dyke and Sonny and Cher and The Harlem Globetrotters, often voicing themselves. Sadly, the length proved a little too testing to be as consistent as its predecessors and the sometimes crow-barred in celebrities diluted the monster’s time onscreen and changed the darker feel to a more light-hearted romp.

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Characters and voice cast

Don Messick – Scoobert “Scooby” Doo.
Famously, Scooby’s name was taken from the fade-out scat-singing of Frank Sinatra’s classic, “Strangers in the Night”, though it is worth pointing out that there had already been a Scooby (a seal) in the two-part cartoon, Moby Dick and the Mighty Mightor, also voiced by Messick. It was CBS execution Fred Silverman who suggested the name, indeed without his intervention we may well have been left with the initial concept, a bongo-playing sheepdog named Too Much who was far more of a minor sidekick than a pop culture icon.

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Messick was already legendary in the voice acting world, from Ranger Smith and Boo Boo in Yogi Bear, to Griswald in Top Cat, to Muttley in Wacky Races, it’s difficult to imagine children’s television without him. Characterising Scooby with a slight speech impediment (well, he is a Great Dane) that sees him starting many words with an ‘r’ (scientifically, this is known as rhoticization), his enthusiastic “Rooby Rooby Roo!” concluded many episodes. Messick voiced Scooby until 1994 when ill-health and stopping smoking led to both a change in his delivery and ultimately his death in 1997.

Another notable voice actor who contributed to the show around the world is Orlando Drummond, who has voiced Scooby from the first episode until the last in 2010 in his native Brazil (a world record for one actor voicing the same character).

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Over the course of Scooby-Doo’s various spin-offs, various relatives of Scooby were introduced:

1. Scrappy-Doo: Scooby’s young nephew (and son of Scooby’s sister Ruby-Doo), Scrappy is the bravest of Scooby’s relatives. Scrappy became a recurring character in the Scooby-Doo series beginning in 1979, and was noted for being quite headstrong and always wanting to face off in a fight with the various villains (unlike his uncle). He has several catch phrases, the one he uses the most is “Puppy Power!” Scooby and Shaggy were present at Scrappy’s birth.

2. Yabba-Doo: According to Scrappy and Yabba-Doo Yabba is Scooby’s brother, a white dog owned by Deputy Dusty in the American Southwest. Unlike Scooby, Yabba is brave. Unlike Scooby’s and Scrappy’s, his typical custom catchphrase at the end is “Yippity-Yabbity-Doooo!!!” (and not “Yabba-Dabba-Doo!”, presumably due to Fred Flintstone’s usage of that phrase).

3. Scooby-Dum: Scooby’s cousin (according to Shaggy in “Headless Horseman of Halloween“), a blue-grey dog who longed to be a detective, he was actually rather dimwitted (he would keep looking for clues even after the mystery was solved). His catch-phrase was also different than Scooby’s and Scrappy’s. Instead of “Scooby-Dooby-Dum” his typical custom catch-phrase is “Dum dum Dum DUM!”, an intoning the opening four notes of Beethoven’s Fifth Symphony, which he would do after someone said the word “clue”.

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4. Scooby-Dee: Scooby’s distant cousin, a white dog. Spoke with a Southern accent, and was an actress.

5. Dooby-Doo: Scooby’s cousin, a singer. He is one of Scooby’s few relatives to have hair on his head. Only appeared in “The ‘Dooby Dooby Doo’ Ado”.

6. Momsy and Dada Doo: Scooby’s parents. His mother is the only one who calls him by his full name, “Scoobert”.

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7. Whoopsy-Doo: Scooby’s cousin, a clown. Owned by Shaggy (Norville)’s uncle, Gaggy Rogers.

8. Ruby-Doo: Scooby’s sister, and mother of Scrappy-Doo.

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9. Skippy-Doo: Scooby’s brother. Highly intelligent; he wears glasses.

10. Howdy-Doo: Scooby’s brother. Enjoyed reading supermarket tabloid newspapers.

11. Horton-Doo: Scooby’s uncle. Interested in monsters and science.

12. Dixie-Doo: Scooby’s cousin and the pet of Betty Lou, Shaggy’s Southern cousin.

13. Grandad Scooby: Scooby’s grandfather.

14. Great-Grandpa Scooby: Scooby’s ghostly great-grandfather.

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15. Yankee-Doodle-Doo: Scooby’s ancestor. He was owned by McBaggy Rogers. He also appears to be a pilgrim. Little is known about him.

16. Spooky-Doo: Scooby’s uncle. He was the former owner of Doo Manor

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Casey Kasem – Norville “Shaggy” Rogers

Slacker/hippy-type, Rogers, is the only ever-present cast member apart from Scooby Doo to last each series of the show, his distinctive, seemingly never completed goatee beard and catchphrases of “zoinks!” and “like” voiced by Kasem from first episode through to near the end of the run, interrupted only by vegetable-related conflicts with the studio.

As with the other human characters, Shaggy was based on the characters in the early 60’s sitcom, The Many Loves of Dobie Gillis, in this case, that of Maynard Krebs. Pre-production, Shaggy was known as W.W. though retained the voracious appetite, often the rumbling stomach that led both he and Scooby off the beaten track and into danger. In some series Shaggy is born in Coolsville and his relationship with Scooby began when at school when adopted Scooby Doo from the Knittingham Puppy Farm.

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Kasem was initially unhappy with being cast as Shaggy, preferring the role of Fred, said to be because he had no idea how hippies behaved (ironic perhaps for the voice of the American Top 40 for so many years). Kasem also clashed with the show’s writers over Shaggy’s consumption of meat, insisting he should be portrayed as a vegetarian. This led to Kasem occasionally not performing the role in protest. Despite urban legends, there is no truth in drugs playing a part in Shaggy’s behaviour, appetite or appearance.

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Relatives of Shaggy shown during the series include:

1. Samuel Chastain Rogers and Wendy Rogers (“Mom and Pops”): Shaggy’s parents. Shaggy’s father is a police officer in most incarnations, except for Mystery Incorporated. At one point, Shaggy’s parents lived in Plymouth, Massachusetts. In Mystery Incorporated, however, Shaggy’s parents are named Colton and Paula Rogers. Casey Kasem (using his natural, American Top 40 voice) voiced “Pops” from The New Scooby and Scrappy-Doo Show through to Mystery Incorporated. Grey DeLisle voices “Mom” in Scooby-Doo! Mystery Incorporated.

2. Maggie “Sugie” Rogers: Shaggy’s younger sister. Seen in A Pup Named Scooby-Doo.

3. Wilfred: Maggie’s fiancé/husband, and Shaggy’s brother-in-law.

4. Gaggy Rogers: Shaggy’s uncle, who likes to play practical jokes.

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5. Uncle Shagworthy: Shaggy’s rich uncle. Not only does he look like his nephew — he has the same appetite and cowardice. He keeps his most precious possession, food, in a secret refrigerator with valuable jewels. Voiced by Casey Kasem.

6. Great Uncle Nat (Nathaniel): Shaggy’s great-uncle. Voiced by Lennie Weinrib.

7. Uncle Beauregard: Shaggy’s late uncle, who left his entire fortune and his Southern mansion and plantation to Shaggy in his will. He was referred to in Scooby-Doo Meets the Boo Brothers, although he never made an appearance when he was living. He appeared as a ghost and was one of the villains in the movie.

8. Fearless Shagaford: Shaggy’s uncle, who owns the Fearless Detective Agency

9. Shaggy the First – a ancestor who possessed a medallion which could turn the wearer into a werewolf.

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10. Uncle Albert Shaggleford: Shaggy’s rich uncle, an inventor who’s only appeared in Shaggy and Scooby-Doo Get a Clue! Voiced by Casey Kasem.

11. McBaggy Rogers: Shaggy’s ancestor. Founder of the Rogers household and settled in present-day Plymouth, Massachusetts. He is the owner of Scooby’s ancestor, Yankee-Doodle Doo. Made an appearance in The New Scooby and Scrappy Doo Show episode Wedding Bell Boos. Appears to be a Pilgrim.

12. Betty Lou: Shaggy’s Southern cousin.

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Frank Welker – Frederick (or Fredward) Fred Herman Jones

Named after the same executive who gave Scooby his name, his character was based on Dobie, Dwayne Hickman’s character in The Many Loves of Dobie Gillis. Put before a public vote, it’s quite likely Fred wouldn’t figure too highly in a favourite character poll; cravat-wearing, bossy and regularly opting to pair himself up with Daphne to look for clues, there is a school jock smugness about him which comes to the fore when unmasking the villain – quick to piece together the clues after Scooby and Shaggy have done the legwork. Though rumours have long persisted that Fred and Daphne are in some kind of relationship, the given reason for the pairings is that the creators found Fred and Daphne quite boring, so always looked for a way to keep them off-screen whenever possible.

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Fred was originally set to be named “Geoff”, then “Ronnie”, Silverman requesting that his legend carry on in cartoon form with his Christian name. Although Kasem had touted himself for vocal duties, the job instead went to voice-acting newcomer, Frank Welker, then plying his trade as a comedian and radio announcer, with small onscreen roles on television and film. Impressing during an open casting, he won the role of Fred, a role he continues to play, though the character of Fred has not been an ever-present character. Welker has since contributed his voice for a huge number of cartoon characters, ranging from the post-Scooby, Wonderdog, Fangface, the villainous Dr. Claw in Inspector Gadget to more recent characters in the animated Transformers series and those of Ray Stantz and Slimer in The Real Ghostbusters.

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Relatives of Fred’s shown or mentioned during the series include:

1. Mayor Frederick Jones Sr.: Fred’s illegal “father” in Scooby-Doo! Mystery Incorporated, voiced by Gary Cole. In Scooby-Doo! Mystery Incorporated, Fred’s fake father is the mayor of Crystal Cove. He is self-centered and more interested in his status as town mayor and keeping the town’s tourist industry going, something he tries to force on his son. In the season 1 finale, it is revealed Mayor Jones was masquerading as a monster known as “the Freak of Crystal Cove”, and is the person responsible for the disappearance of the original Mystery Incorporated 20 years prior. In order to make sure two members never returned, he kidnapped Fred as an infant as blackmail, raising him as his own son. He is later arrested for his crimes. Later, in “Come Undone,” he becomes the coach at Crystal Cove High School, and says that he always has loved Fred and feels like a father figure to Fred.

2. Skip and Peggy Jones: Fred’s father and mother in the movie Scooby-Doo! Pirates Ahoy!

3. Brad Chiles and Judy Reeves.: Fred’s real father and mother in Mystery Incorporated, voiced by Tim Matheson and Tia Carrere (younger selves voiced by Nolan North and Kari Wahlgren). Both were members of the original Mystery Incorporated searching for the haunted treasure of Crystal Cove, until they were blackmailed by Mayor Jones into leaving Crystal Cove forever.

4. Eddie Jones: Fred’s uncle from A Pup Named Scooby-Doo, voiced by Frank Welker. The publisher of the tabloid newspaper The National Exaggerator.

5. The Count von Jones: Fred’s uncle who lives in a castle near a factory that makes specialized coffins, and runs a museum. Fred intended to visit him during one episode of What’s New Scooby-Doo but was outvoted by the gang, who decided to watch a dog show instead. He is never seen in the series.

6. Uncle Karl: Fred’s uncle who runs a cheese shop near Lake Michigan in Wisconsin. He is better than Fred at bench-pressing.

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7. An uncle in the United States Air Force and works for a space agency.

8. An uncle who is first cymbalist in the United States Marine Corps band.

9. A 3 year-old nephew. Mentioned in The New Scooby-Doo Movies episode that guest-starred Monkees member Davy Jones, “The Haunted Horseman of Hagglethorn Hall“.

10. Jed Jones: Fred’s cousin working for Monstrous, Fright, and Magic. He is voiced by Chris Edgerly in Scooby-Doo! Unmasked

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Stefanianna Christopherson (season 1 – Heather North, season 2) – Daphne Anne Blake

Fashionista, Blake, the sex siren of the show, is often the magnet for criminal activity in the show. Frequently used as a sounding-board for Fred, it is suggested she comes from a wealthy family, indeed in later appearances, she regularly calls upon her butler, Jenkins. The inspiration for her character comes from that of Thalia Menninger in The Many Loves of Dobie Gillis. As with the other characters, her name was changed from the initial pitch, her intended name being Kelly. Though at the beginning of the cartoon’s run, she was often seen to be clumsy and weak-willed, she evolved to be savvy, smart and in Fred’s absence, the non-canine star of the show.

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Daphne was originally voiced by Christopherson, an American of Icelandic extraction who left after one series to get married, relocating to New York. Post-Scooby, she has also voiced several characters in the animated series, Captain Caveman, as well as an on-screen role in the innovative horror film, Wicked, Wicked. Her replacement, North, also appeared in Captain Caveman (though neither as the glamorous Teen Angels), her other roles also being on the small screen and rarely in anything other than supporting roles.
Relatives of Daphne, including her four identical sisters, shown during the series’ run include:

1. George Robert Nedley Blake and Elizabeth Blake: Daphne’s parents. In Scooby-Doo! Mystery Incorporated, however, the two are named Barty Blake and Nan Blake. Voiced by Frank Welker and Kath Soucie.

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2. Daisy: Daphne’s sister, a doctor. Voiced by Jennifer Hale.

3. Dawn: Daphne’s sister, a model.

4. Dorothy: Daphne’s sister, a race car driver.

5. Delilah: Daphne’s sister, in the Marine Corps. Voiced by Jennifer Hale.

6. Uncle Matt Blake: Daphne’s uncle, a cattle rancher.

7. John “J.J.” Maxwell: Daphne’s uncle, a movie director.

8. Olivia Dervy: Daphne’s aunt.

9. Jennifer: Daphne’s cousin.

10. Danica LaBlake: Daphne’s cousin, a famous French model. Voiced by Vanessa Marshall.

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11. Shannon Blake: Daphne’s Scottish cousin. Voiced by Grey DeLisle.

12. Thornton Blake V: Daphne’s uncle, owner of a Golf Course near Lake Erie.

Nicole Jaffe – Velma Dinkley (nee Von Dinkenstein)

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The somewhat frumpier, cleverer counterpoint to Daphne, the near-sighted Dinkley is most regularly seen losing her glasses, often resulting in either the discovery of the monster they’re chasing or clues and hidden rooms. She has a keen interest in science and in several niche subjects, from local history to world mythology, all of which helps the gang in their weekly quests. Her cross to bear is to be the one to have to deal with Scooby and Shaggy’s antics, often carrying them to safety in her arms, despite the size differences, often whilst exclaiming, “jinkies”, a catchphrase which has yet to be adopted by the masses.The Velma character was inspired by the brainy tomboy Zelda Gilroy, as played by Sheila James, from the late 1950s/early 1960s American sitcom The Many Loves of Dobie Gillis. Her name is regularly mistaken as “Wilma” or “Thelma”.

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Jaffe played the role until 1973, when she moved from acting to artist representation, becoming wildly successful in the process – her clients have included John Travolta and Elijah Wood. Jaffe also played a part in getting North the role as Christopherson’s replacement as Daphne. The part of Velma then fell to Patricia Stevens, who had a regular onscreen role as Nurse Baker in the long-running M*A*S*H. Replaced again by different actors over subsequent years, Velma was the least constant character, regularly making way for Scrappy-Doo or guest appearances.

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Her inconsistent character history sees her being the somewhat unwanted girlfriend of Shaggy in the regrettable twilight years of the show, though this comes to an end as Shaggy finds it impossible to abandon his canine chum. Velma originally had the name “Linda”. Relatives of Velma shown during the series’ run include:

1. Dale and Angie Dinkley, Velma’s parents, voiced by Kevin Dunn and Frances Conroy. They own the Crystal Cove Mystery Museum, which has in its display all of the costumes from the villains the gang has defeated over the years, as well as other objects that have connections to the supernatural or the unexplainable. Angie constantly tries to help her daughter in any way she can, while Dale tends to reprimand Velma.

2. Madelyn Dinkley, Velma’s younger sister voiced by Danica McKellar. She appears to be in her late teens and somewhat resembles her older sister in appearance & personality. Ironically, Velma herself refers to Madelyn as a nerd and does not seem to realize how much alike they really are. Unlike Velma, Madelyn was not exactly sure what she wanted to do for a living and had previously attended clown college until she discovered a fondness for stage magic and enrolls in a school for stage magicians. Madelyn has a huge crush on Shaggy Rogers and as a result of this, Shaggy refers to Madelyn as “Doe-eyed Dinkley” or by simply “Madds”. She plays an important role in Scooby-Doo! Abracadabra-Doo, when the magic school she’s enrolled in is being terrorized by a giant griffin.

3. Aunt Meg and Uncle Evan, Velma’s aunt and uncle (voiced by Julia Sweeney and Diedrich Bader), who live in a small town called Banning Junction which features in a Halloween episode of What’s New, Scooby-Doo?

4. Marcy, Velma’s cousin and the daughter of Meg and Evan. She is studying mechanical engineering in college, but unlike Velma she is fashionable. This, along with Marcy’s interest in Fred, made her Daphne’s rival of sorts. She was born on Halloween which over time led to her hatred of the holiday as it usually upstaged her birthday (even her parents have forgotten it). Consequently, she used local legend and her engineering background to create Mechanical Scarecrow Monsters to terrorize the town on her eighteenth birthday.

5. Aunt Thelma: works with dolphins at a marine institute.

6. Uncle John: works as an archaeologist.

7.Uncle Cosmo: also works as an archaeologist.

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8. Uncle Elmo: a doctor.

9. Uncle Ted: also works as an archaeologist.

10. Great Uncle Dr. Von Dinkenstein: Velma’s infamous great uncle, resembling Frankenstein. He’s the reason for Velma’s crime solving business.

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So successful was the cartoon that it formed the basis for series such as Scooby’s All-Star Laff-A-Lympics (from 1977-1978), which saw the first of his canine side-kicks, Scooby Dum. At this stage, the character had already moved away significantly from the mystery-solving gang member to knock-around laugh machine, the oddly believable environs of the early cartoons now outlandish and ultra-slapstick, with little of the supernatural. This was to achieve new heights of cringe-worthiness in 1979 when the hour-long Scooby Goes Hollywood introduced the character of Scrappy-Doo, the young son of Scooby’s sister, Ruby-Doo.

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Partly due to his unwarranted enthusiasm but also due to the constant over-use of his catchphrases (“Scrappy Dappy Doo”, “Let me at ’em!” and “Puppy Power!” etc), it seems the aspect that most angered fans of the original series was that the programme-makers had opted to make any fundamental changes at all – very much a case of ‘if it ain’t broke, don’t fix it”. ABC would gladly have argued this point, the viewing figures in 1979 being only a fraction of those at the beginning of the decade. Even more perplexingly, the studio was proved right, the diminutive star becoming a fixture until 1988, even eclipsing the titular star of the show.

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History has proven the fans of the early years of the cartoon right; Scrappy-Doo is now regularly used as a term by writers to describe the unwanted addition of a formula to ‘freshen it up’, a distinction previously held by Cousin Oliver, a late addition to The Brady Bunch, which was met with similar jeers or derision. Whilst the early episodes of Scooby Doo utilised distinctive and often innovative monsters as the threat, from the mid to late 80’s the opportunity to use monsters recognisible from more recent horror films was lost.

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The dubious accolade of voicing the character fell to Lennie Weinrib, best known as the voice of H.R. Pufnstuf, although the especially keen-eared may recognise his tones amongst the blood-geysers of Shogun Assassin. From 1980-1988, Scrappy was voiced by Don Messick.

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Though more recent, feature-length animated efforts have seen something of a return to form, the influence of the original television series cannot be overlooked, from the ritual unmasking of the unlikely villain to the mysterious Scooby Snacks, the characters and story arcs are now used, not only in cartoons but live-action television and film in one form or another. For many a child it was their first exposure to the world of monsters.

In cartoon for alone, Scooby-Doo would be an influence on many other Saturday morning cartoons of the 1970s, many featuring teenage detectives solving mysteries with a pet or mascot of some sort, including Josie and the Pussycats (1970–71), The Funky Phantom (1971–72), The Amazing Chan and the Chan Clan (1972–73), Speed Buggy (1973–74), Goober and the Ghost Chasers (1973–74), Captain Caveman and the Teen Angels (1977–80), among others.

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The chronology of Scooby on television runs as follows:

1969 – 1975 – Scooby Doo, Where are You!

1972 – 1976 –The New Scooby-Doo Movies

1976 – 1991 –The Scooby-Doo Show and Scooby’s All-Star Laff-A-Lympics (from 1976-1977 it was The Scooby-Doo/Dynomutt Show)

1979 – Scooby Goes Hollywood

1979 – 1980 – Scooby-Doo and Scrappy-Doo

1983 – 1985 – The All-New Scooby and Scrappy-Doo Show

1985 – The 13 Ghosts of Scooby-Doo

1988 – 1991 – A Pup Named Scooby-Doo

2002 – What’s New, Scooby-Doo?

2006 – Shaggy & Scooby-Doo Get a Clue!

2010 – 2014 – Scooby-Doo! Mystery Incorporated

2015 – Be Cool, Scooby-Doo!

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NB. Nine episodes from Scooby-Doo’s 1978-79 season, first run on ABC in America, were originally broadcast with the 1969 Scooby Doo, Where Are You! opening and closing sequences (in an attempted stand-alone series revival that was cancelled). The entire 1978-79 season (which completed its run as part of Scooby’s All-Star Laff-A-Lympics and was later syndicated as part of The Scooby-Doo Show) is sometimes marketed as the third season of the original Where Are You! series.

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Zombie Resurrection

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‘Prey for Salvation’

Zombie Resurrection is a 2014 British horror film, made partly with the aid of online funding. Set in an unspecified part of the UK, eight survivors of an apocalyptic outbreak, which has seen the dead rise from their graves, attempt find sanctuary as the undead hordes thin out and make sense of the chaos that surrounds them. It is the debut feature of directors Andy Phelps and Jake Hawkins.

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Fifteen months after zombies ravaged the country, eight survivors trudge through the British woodland attempting to find a place of refuge known as Imperium, the destination known only by one of their number, the upper class Major Gibson (Joe Rainbow, Stag Night of the Dead), who revels in the hold he has over the others. These include Mac (Jim Sweeney), a sweary Scottish tough guy; God-fearing Esther (Shamiso Mushambi); almost respectably middle-class Beaumont (Danny Brown), who carries a golf club just to make sure you’ve “got it”, and the shackled prisoner Dr. Sykes (Eric Colvin), plus three more utterly detestable individuals.

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In a twist to the usual lore surrounding zombie outbreaks, we learn that time has taken its toll on the dead, who are now few in number and those who do survive are ineffective decaying lumps. Regardless, the disagreeable bunch of the living find getting on with one another impossible and tensions rise even further when Gibson steps in a mantrap and has his leg removed. Taking shelter in a school building (expanding the quite obviously tiny shooting area by up to twenty feet), we find that Sykes is held as a prisoner due to his role in the development of the ‘virus’ which started the apocalypse – actually an attempted cure for chemical warfare – and that he is due to be hanged. Events spiral out of their control when they realise the building actually houses some unexpectedly spritely zombies and, even more surprisingly, that one of them has a quasi-religious gift for resurrecting the more decayed of his number, threatening to send them back to the early days of the outbreak.

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On the plus side, there are some interesting ideas here; the diminished threat of rotting corpses over time has been touched upon in film and fiction before but, in this case, it’s central to the plot; similarly, aside from voodoo, there hasn’t been a great deal of emphasis on religion’s part in such a scenario. Unfortunately, these really only become viable as part of a short story – at a push, a play, though presumably a rubbish one. Without zombies as an immediate threat, you have to rely on the living characters and their back-stories to provide the drama and tension, done skilfully in periods of Romero’s early zombie films and large tracts of The Walking Dead comic and television series. You’d be correct in assuming this film has none of that.

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Firstly, there are far too many characters, none of whom are engaging or illicit any sympathy from the viewer. This is exacerbated by the fact that the acting is of a shockingly poor quality, veering from potty-mouthed shouting to something that resembles the farce of a drunken person assuring assembled onlookers that they’re completely sober, whilst stood in a duck-pond. This sits particularly badly when the closing quarter of Zombie Resurrection attempts to ponder the complexities of life, religion and all points between, with the film left hanging as neither fish nor fowl, though almost certainly, foul.

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The gore effects and make-up are passable and indeed, if that sends your pulse racing, you may still find something of interest here. Despite this, at no point is anything in the least believable; how a compound came to be called Imperium in just over a year (surely rejected even by eager Apprentice candidates), why the filmmakers opted to omit someone in a wheelchair from their parade of abysmal stereotypes and why, four years after filming wrapped, has this been allowed to surface without anyone having the guts to recognise this simply didn’t work. It’s another nail in the coffin of a horror sub-genre that just won’t stay shut.

Daz Lawrence, Horrorpedia

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Discopath

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‘Disco isn’t dead, but you just might be’

Discopath (in French: Discopathe) is a 2013 Canadian film directed by Renaud Gauthier, and starring Jérémie Earp-Lavergne, Sandrine Bisson, and Ivan Freud.

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Plot teaser:

Set in the mid-1970s, Discopath is a slasher about Duane Lewis, a man who transforms into a crazed serial killer whenever he catches the relentless rhythm of disco! As Duane flees New York, desperate to escape the disco craze, his murderous tendencies explode again in a whirlwind of bloody violence and groovy beats…

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Buy Discopath on DVD from Amazon.co.uk

Reviews:

“The gore effects are excessive and over the top, but the film as a whole is never as shower-inducingly off putting as the movies Gauthier is trying to emulate. It’s a love letter to the kind of trash cinema young cinephiles in the VHS era often grew up with, with sharp, consistently funny writing and a game cast who aren’t afraid to come across as goofy. It’s a great bit of fun.” Dork Shelf

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“In spite of its flaws, Discopath still manages to be an extremely cool little movie. It is impossible for me not to like with its irresistible nostalgic genre charm aping the early 80’s golden age of the slasher sub-genre with much genuine love for it rather than coming off as something just faux lacking the authenticity that some so called love letters do with no passion for the material.” Cinematic Shocks

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“Perhaps writer-director Renaud Gauthier – who clearly has a lot of affection for his inspiration – could have sacrificed some of the super-styled slo-mo sequences in favour of characterisation. Or story. Or intentional humour. Or anything to distinguish his production beyond the flares and hair and boring gore.” Rock n Reel

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Wikipedia | IMDb

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Someone’s Knocking at the Door

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‘The most depraved film of the 21st century’

Someone’s Knocking at the Door is a 2009 American dark comedy horror film co-written and directed by Chad Ferrin (Easter Bunny Kill! Kill!). It stars Noah Segan, Andrea Rueda, Ezra Buzzington, Elina Madison, Jon Budinoff, Ricardo Gray, Lew Temple, and Vernon Wells.

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Plot teaser:

Returning to the medical school where they were test subjects decades ago, a pair of outrageously twisted serial killers use shockingly brutal sex acts to start killing off a group of drugged-out med students…

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Buy Someone’s Knocking at the Door on DVD from Amazon.com | Amazon.co.uk

Reviews:

” It’s 50% the craziest sh*t you’ve ever seen on film and 50% regular, kind of boring low budget horror stuff. But still. Man. You’ve got to see it to understand how crazy it is. I wish it would have been crazier all throughout. Then it would be a damn masterpiece.” Film School Rejects

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“The film does an excellent job of selling a typical horror movie premise – a psychokiller back from beyond the grave – but when you get inside it you discover it’s something even more twisted, and begs a second watch to see if it all fits as well as the ending wants you to believe.” Flash Bang

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“It’s a film that tried too hard to be different and just doesn’t quite get there. It is certainly interesting, offensive, sick and funny, but sadly all those elements don’t always work together here.” Horror Cult Films

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Wikipedia | IMDb

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Munchies

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 ‘They’re cute. They’re cuddly. They’re out for blood.’

Munchies is a 1987 comedy horror film produced by Roger Corman and starring Harvey Korman, Charlie Stratton, and Nadine Van der Velde. Clearly inspired by the success of Gremlins, and directed by that film’s editor, Bettina Hirsch, the film features a remarkably similar plot line. Robert Short created the Munchies creature effects.

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The film spawned two sequels, Munchie and Munchie Strikes Back, both of which are family fare and possess no relation to the original save the title.

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Plot teaser:

Space archaeologist Simon Watterman, discovers a fossilized “Munchie” in a cave in Peru. Bringing the specimen back to the United States, Watterman’s son and girlfriend accidentally reanimate it and name it Arnold. Cecil Watterman, Simon’s evil twin brother and snack food entrepreneur, kidnaps Arnold while Cindy and Paul are enjoying sex.

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When Arnold is hurt by his kidnappers, it becomes aggressive and attacks Cecil’s adopted son. Attempting to kill Arnold, they chop him into quarters, but instead of dying, Arnold multiplies into four new munchies. The quartet of creatures develop a love of women, beer, attacking people, and junk food in the process…

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Reviews:

“The obnoxious characters are matched with obnoxious jokes. The amount of groans that Munchies spawns in only eighty minutes is quite spectacular. Whether it be one of Paul’s bad lines or a goofy exchange between the father and son cop team, Munchies is a king of bad comedy. But it’s the film’s poorly executed moments of slapstick actions – dripping with tacky dubbing – that illicit the truly gut grumbling winces.” Dave Jackson, Mondo Exploito

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“Harvey Korman is extremely over the top as the uncle, playing a villain who you would swear is from a Saturday morning cartoon that Hanna-Barbera made. The other actors all…are there. Really, there are no real stand-out performances from anyone, unless you count the humourous scenes with Picardo. There is clearly a reason this is a mostly forgotten film…” Batman’s Got a Nosebleed

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“This rank imitation of Gremlins has nothing to recommend it – not even deep philosophical values … the creatures are unconvincing, and so the film doesn’t even work as high camp.” John Stanley, Creature Features

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Buy Munchies on DVD from Amazon.co.ukAmazon.com

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Cast:

Wikipedia | IMDb

New and Upcoming Horror Releases


Shriek If You Know What I Did Last Friday the Thirteenth

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Shriek If You Know What I Did Last Friday the 13th is a 2000 American direct-to-video parody film directed by John Blanchard. The film stars Tiffani-Amber Thiessen, Tom Arnold, Coolio and Shirley Jones.

Several mid and late ’90s teen horror films are parodied, as are the slasher films of the ’70s and ’80s, including the Scream films, Friday the 13th (1980), Halloween (1978), A Nightmare on Elm Street (1984), and I Know What You Did Last Summer (1997), as well as other non horror films and television series. Although there are many different films parodied, the film follows the plot of Scream (1996) closely. It is often compared to Scary Movie, a commercially successful spoof from the same year, which had as a working title “Scream If You Know What I Did Last Halloween”.

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Plot teaser:

While in her house alone dimwitted teenager Harvey “Screw” McAlister (Aimee Graham) is attacked by “The Killer”. While being chased, Screw accidentally runs into a bug zapper and her face gets electrocuted. The killer, feeling disappointed that he was not the cause of her death, lights up a cigarette, leading to the melting of his Jason Voorhees mask into a Scream mask. The next day, new kid Dawson Deery (Harley Cross) signs up at Bulimia Falls High School, meeting up with a new group of friends including Boner (Danny Strong), Slab (Simon Rex), Barbara (Julie Benz) and Martina (Majandra Delfino), to whom Dawson takes a liking, though he is not sure if she is a lesbian. While the group discusses the death of Screw, they remain certain they are safe in school, not noticing the chaos that surrounds them, including a nuclear bomb being built and the killer attempting to murder a student…

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Reviews:

“The movie’s most telling scene comes when, after the ‘rules of parody’ lecture, the characters decide to watch Airplane!. It is by far the smartest move made by any character in this movie, and exactly what you should do, as opposed to renting Shriek, if you desire a funny, well-made parody.” Larry Getlen, AMC

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“Imagine the lamest joke you’ve ever heard and then stretch it out to around an hour and fifteen minutes, and you’ll have a vague conception of how excruciating it was to sit through this miserable flick.” Reel Film Reviews

Shriek If You Know What I Did Last Friday the 13th

“It spends most of its time referencing non-horror movies like: Wizard of Oz, Something About Mary, Reservoir Dogs, Baywatch or Home Alone. And when it does reference horror movies like Child’s Play, Psycho (what a lame bit!), NOES, IKWYDLS, Friday the 13th or Scream, it just winks at them, never really setting up a full gag … It takes more than throwing movie references into a film to make it funny. It takes endearing characters, comic timing and good jokes. This movie has none of those things.” Arrow in the Head, Joblo.com

Choice dialogue:

“Look, this is lame. Let’s get outta here…”

Cast:

Wikipedia | IMDb

 


Creep (2014)

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Creep – originally titled Peachfuzz – is a 2014 Blumhouse Productions found footage horror comedy film directed by Patrick Brice, based on a script written by Brice and Mark Duplass (The Lazarus Effect). The movie, which is Brice’s directorial debut, had its world premiere on March 8, 2014 at South by Southwest.

The film will be released on iTunes on June 23, 2015 prior the Netflix release. There are plans for more than one sequel.

Plot teaser:

Aaron (Patrick Brice) is an optimistic videographer that decides to work for Josef (Mark Duplass) after answering his ad on Craigslist. All Aaron has to do is record Josef throughout the day and remain discreet about the entire set-up. Josef tells Aaron that he’ll be recording a series of videos for his unborn son, as he’s suffering from a terminal illness and will never be able to see him grow up. While Josef seems strange, the money is too good for Aaron to pass up and he agrees to the task. However as the day progresses Josef becomes increasingly strange and Aaron finds it difficult to tell whether or not some of the things Josef is saying or doing are truly jokes or actually a sign of true danger and mental instability…

Reviews:

“I would hope that none of us have experienced a turn of events that even remotely resembles what begins to happen in Creep around the halfway point (and keeps getting worse from there). That’s when the film’s tone effortlessly slides into something truly menacing. Duplass and Brice are excellent throughout, but they really elevate Creep to greatness levels with the work they do here.” Evan Dickson, Bloody Disgusting

“Knowing and funny without straining to be clever, the found-footage-style pic works better than the Duplass Brothers’ 2008 Baghead, with which it has some elements in common, and has stronger chances with indie-friendly genre fans.” John DeFore, The Hollywood Reporter

Creep is a tiny movie whose uniqueness feels positively seismic. If there’s one thing Creep has, it’s an abundance of personality, and that cannot be understated. If producer Jason Blum made the found footage horror movie commonplace in the multiplex, then this is a thankful return to art house strangeness and announces, in Brice, a bold new voice in the horror genre; he’s scary good.” Drew Taylor, Indiewire

Wikipedia | IMDb


Scooby-Doo! and KISS: Rock and Roll Mystery

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Scooby-Doo! and Kiss: Rock and Roll Mystery is the twenty-fourth film in the direct-to-video series of Scooby-Doo films. It was produced and directed by Tony Cervone and written by Kevin Shinick.

The animated film will be released digitally on July 10, 2015 and on DVD and Blu-ray on July 21, 2015.

Official synopsis:

‘Get ready to rock! Scooby-Doo and the Mystery Inc. gang team up with the one and only KISS in this all-new, out-of-this-world adventure! We join the gang at KISS World – the all-things-KISS theme park – as they investigate a series of strange hauntings. With help from KISS, they discover that the Crimson Witch has returned to summon The Destroyer from the alternate dimension of KISSteria! The evil duo’s ghastly plan: to destroy the Earth! Can the gang’s cunning and KISS’ power of rock save the day?! Tune in to this rock-and-roll mystery for some thunderous, heavy FUN!’

Cast: 

Wikipedia | Related: KISS Meets the Phantom of the Park

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Scooby-Doo! on Horrorpedia:

Scooby Doo: The Early Years – article

The 13 Ghosts of Scooby-Doo – animated TV series

Be Cool, Scooby-Doo!

Chill Out, Scooby-Doo!

Scooby-Doo

Scooby-Doo! Abracadabra-Doo

Scooby-Doo! and the Goblin King

Scooby-Doo! and the Loch Ness Monster

Scooby-Doo! and the Witch’s Ghost

Scooby-Doo! Camp Scare

Scooby-Doo! Curse of the Lake Monster

Scooby-Doo! Glow in the Dark Puzzles – toys and games

Scooby-Doo! Music of the Vampire

Scooby-Doo! Mystery Incorporated – animated TV series

Scooby-Doo on Zombie Island

What’s New, Scooby-Doo?



Bloodmarsh Krackoon

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‘No one dumps on The Bronx… and lives’

Bloodmarsh Krackoon is a 2014 American comedy horror film written and directed by Jerry Landi. It is a sequel to Landi’s 2010 movie Krackoon.

The film stars Sal Amore, Scott Barile, Anthony Bisciello, Bob Connelly, Joseph Ferri, Cindy Guyer, Alfonzo Hollis, Gina Di Salvatore Longarzo, Robert Lil Bob McCall, Rosario Russo, Martin Vanihel.

Plot teaser:

It is one day after the events of Krackoon, in which Redeye, a crack-addicted mutant raccoon, administered righteous revenge to crooked Bronx politicians and the abusive parents of his only human friend, Tommy Caputo (Joseph Ferri).

On the night of the murders, two workers from Balzone Industries (Anthony Landi, Joe Brynne) illegally dump toxic waste in the Locust Point marshlands and stumble upon the massacre inflicted by Redeye and Tommy. They escape the marsh and two baby raccoons ingest the waste, which causes them to mutate.

The next day, police chief Patton (Bob Connelly) and deputy mayor Peter Rabbit (Sal Amore) visit the scene of the murders and are shocked to discover that mayor Karl Denham was among the victims. Rabbit is the only person alive besides Tommy who knows that Redeye is behind the mayhem…

Reviews:

“Landi definitely develops a lot in terms of cutting out the slow bits, offering up more of a story, and developing some of the characters in the sequel. There are also a lot better effects in the sequel, with a full body transformation into a man-sized raccoon towards the end and CG raccoons incorporated which are practically animated, but a lot of fun.” Ain’t It Cool News

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“The plot itself is the only redeeming factor of this entire mess. My heart goes out to those that were coerced to be involved in a project that will most likely be discarded to the depths of YouTube, someday to be unearthed by a youthful stoner and then quickly fizzle away, like the last of my brain cells as the credits rolled on this film. I literally recommend any other film in the history of cinema to cleanse your pallet of Bloodmarsh Krackoon.” Jersey John, Horror Talk

“The effects include practical and CGI blood, which is a nice break from all-CGI flicks. The practical stuff goes from the totally goofy (Red-eye the krackoon often appears to be nothing but a puppet on a stick) to the slightly above average (some of the post-attack gore is pretty good, though not great). Fans of throwback creature features will appreciate seeing the practical gore. The CGI stuff looks pretty terrible, but that’s to be expected, and actually adds to the cheesy vibe that Landi is obviously going for.” Gordon Sullivan, DVD Verdict

IMDb | Facebook


Teenage Exorcist

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‘Something wicked this way comes…’

Teenage Exorcist is a 1991 American supernatural comedy horror film directed by Grant Austin Waldman (The Channeler; Victoria’s Shadow) from a screenplay by actress Brinke Stevens (Screaming in High Heels: The Rise and Fall of the Scream Queen), based on a story by co-producer Fred Olen Ray (Scalps; Evil Toons; Super Shark).

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The film stars Stevens, Eddie Deezen and Robert Quarry (Count Yorga, VampireDr. Phibes Rises Again; The Deathmaster).

Although it was shot in 1991, Teenage Exorcist did not receive a video release until 1994.

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Buy via Amazon.com

Plot teaser:

Diane (Brinke Stevens), a prim and proper college grad student, rents a spooky old house from a creepy realtor (Michael Berryman). Unfortunately for Diane, an ancient demon (Oliver Darrow) resides in her basement and she’s quickly possessed by the spirits of the house, turning her into a leather-clad, chainsaw-wielding succubus.

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When Diane’s sister Sally (Elena Sahagun), Sally’s brother-in-law Mike (Jay Richardson) and Diane’s boyfriend Jeff (Tom Shell) come to visit only to be attacked by her demonic incarnation, they summon a priest, Father McFerrin (Robert Quarry), to handle the situation. Zombies also arrive to make the situation worse.

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Failing that, Father McFerrin attempts to call an exorcist, only to dial the wrong number and unwittingly place an order at the local pizza parlour. When the geeky superhero worshipping pizza delivery boy (Eddie Deezen) arrives at the house, it’s up to him and the rest of the gang to destroy the demon and stop his nefarious scheme…

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Review:

Scripter and ‘Scream Queen’ Brinke Stevens doesn’t have enough screen presence, even in shiny black S&M gear, to hold this horror parody together. though the feeble groan-inducing genre jokes are reasonable enough to make the first half painless. Unfortunately, once Quarry and Deezen appear things go rapidly downhill, and Oliver Darrow as the demon is just annoying, so its easy to see why this uninspiring effort remained unreleased for three years.

Adrian J Smith, Horrorpedia

Teenage-Exorcist-Amazon

Cast:

  • Brinke Stevens as Diane
  • Eddie Deezen as Eddie
  • Oliver Darrow as The Demon
  • Jay Richardson as Mike
  • Tom Shell as Jeff
  • Elena Sahagun as Sally
  • Robert Quarry as Father McFerrin
  • Kathryn Kates as Maid
  • Michael Berryman as Herman

Wikipedia | IMDb


Vamp

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‘She’ll love you to death.’

Vamp is a 1986 American comedy horror film directed by Richard Wenk (Dracula Bites the Big Apple; Wishcraft), from a screenplay co-written with Donald P. Borchers (producer of Children of the Corn; Leprechaun 2; Voodoo).

Cast: 

Chris Makepeace, Sandy Baron, Robert Rusler, Dedee Pfeiffer, Gedde Watanabe, Grace Jones, Billy Drago.

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Plot teaser:

Two college students, Keith and AJ want to hire a stripper to buy their way into a campus fraternity. They borrow a Cadillac from lonely rich Oriental student Duncan, who insists on coming with them to scope out strip clubs in a nearby city. The three boys find themselves at a club in a shady party of town and, after being impressed by an surreally artistic stripper Queen Katrina, AJ visits her dressing room to convince her to come strip for their college party. Katrina seduces AJ, then pins him down, killing him with a bite to the neck…

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Reviews:

This is a vapid American Werewolf-influenced frat humour-filled time-waster that did well on VHS in the mid-1980s. Grace Jones featured extensively in the sales imagery but her role is minimal. The overt green/blue/red lighting was stylish when Dario Argento defined it well in Inferno (1980) but six years later it was passé and now makes Vamp seem very dated. Making the combo of vampires and strippers dull would seen to be impossible but, alas, Wenk and his cohorts manage it.

Adrian J Smith, Horrorpedia

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“There are some funny lines, and the relationship between the human kid and his best pal the vampire is handled with a lot of original twists. But the movie finally descends, as so many films do these days, to one of those assembly-line endings made up of fights and chases.” Roger Ebert

” … a fun vampire movie with that undeniable 80’s movie feel. It plays with that delicate balance between comedy and horror. Not every movie is successful in this merging of genres. Vampire in Brooklyn (1995) for example failed horribly at it. The comedy in Vamp falls a little on the silly side; it has the kind of humor you’d find in films like Revenge of the Nerds (1984) or Porky’s (1982).” The Film Connossieur

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“Director Richard Wenk slathers the film in 80’s purple and green lighting through almost the entire run time. I would say this looks like crap if I saw it in a modern movie but this is an 80’s movie and for whatever reason it seems to work. Wenk seems to know how to set up some interesting ideas and visuals and they do mostly work for the film.” Rogue’s Hollow

In the UK, Vamp was released as a Blu-ray + DVD by Arrow Video on July 14, 2014 with the following features:

  • High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the feature and extras [1 Blu-ray, 2 DVDs]
  • Optional English subtitles for the deaf and hard of hearing
  • Original uncompressed mono PCM audio
  • Audio commentary with star Robert Rusler, moderated by Calum Waddell
  • Introduction by Robert Rusler
  • Vamp it Up An interview with star Dedee Pfeiffer
  • Vamp Stripped Bare An interview with director Richard Wenk
  • Back to the 80s Producing a campy cult classic
  • Scrapbook of scares Richard Wenk looks over his collection of Vamp memorabilia
  • Behind the Scenes rehearsals
  • Blooper Reel
  • Dracula Bites the Big Apple (1979) A short film by Richard Wenk
  • Original Trailer
  • Easter Egg
  • Reversible sleeve featuring original and newly commissioned artwork by Tom The Dude Designs Hodge
  • Booklet featuring writing on the film by Jay Slater

VAMP

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Choice dialogue:

“They’re boring creeps. They don’t call them walking dead for nothing.”

Wikipedia | IMDb


Krampus

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‘You don’t want to be on his list.’

Krampus is a 2015 American comedy horror film directed by Michael Dougherty (Trick ‘r Treat) from a screenplay co-written with Todd Casey and Zach Shields.

Cast:

David Koechner, Adam Scott, Conchata Ferrell, Stefania Owen, Maverick Flack, Lolo Owens, Queenie Samuel,Emjay Anthony, Allison Tolman,Leith Towers, Krista Stadler.

This Legendary Pictures production is scheduled to be released around the world late November/early December by Universal Pictures. It should not be confused with the 2013 film Krampus: The Christmas Devil.

Krampus-2015

Plot teaser:

When his dysfunctional family clashes over the holidays, young Max (Emjay Anthony) is disillusioned and turns his back on Christmas. Little does he know, this lack of festive spirit has unleashed the wrath of Krampus: a demonic force of ancient evil intent on punishing non-believers.

All hell breaks loose as beloved holiday icons take on a monstrous life of their own, laying siege to the fractured family’s home and forcing them to fight for each other if they hope to survive…

Wikipedia | IMDb

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Wendigo aka Frostbiter: Wrath of the Wendigo

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‘Hell has frozen over!!’

Wendigo is a 1988 American comedy horror film written and directed by Tom Chaney (cinematographer on Mosquito and Legion of the Night). It stars Ron Asheton (guitarist with The Stooges, also in The Carrier; Hellmaster and Mosquito), Lori Baker, Devlin Burton, John Bussard, Patrick Butler and Alan Madlane.

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Ron Asheton is scared

 

The film was released on VHS by Troma Entertainment in 1996 with a cover retitle of Frostbiter: Wrath of the Wendigo. Owing a large debt to Sam Raimi’s Evil Dead films with its mix of horror and comedy, the film features a torn Evil Dead II poster in much the same way The Evil Dead features a torn The Hills Have Eyes poster. It features stop-motion effects.

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Plot teaser:

Two friends go hunting on Manitou Island in Northern Michigan. While wandering the woods, they accidentally break a sacred circle, releasing a terrible monster: the Wendigo. The Wendigo goes on a terrible killing spree, leaving a gun-toting hero and his female love-interest to destroy the monster…

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Reviews:

“This movie is insane, and nothing I type here will do that insanity justice. Let’s start with the old man character, who is actually just some guy in an old man mask for no other reason than I guess there were no seniors willing to work in this mess? There’s killer monster puppets birthed from chili who attack while a theme song about chili plays on the soundtrack. A crazy dragon-bat that eats a pilot’s head through a plane window in mid-flight. A topless succubus woman ripped from the pages of a porno magazine who turns into a classic Raimi-style horror hag.” Digital Confederacy

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” … it hardly even shows any technical finesse let alone creative promise. But as said before, such a lack of anything resembling filmic capabilities can result in an entertaining film, something that Frostbiter sometimes even approaches being – had it only not pumped up the fucking volume of its soundtrack. It seriously ruins what might have been a good – or at least decently passable – bad-film experience.” A Wasted LIfe

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Wikipedia | IMDb


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